苏州弹词,Suzhou Tanci
1)Suzhou Tanci苏州弹词
1.Pinghua,storytelling in a local dialect and Tanci,storytelling to the accompaniment of stringed instruments are two different genres of performing arts;Suzhou Pinghua andSuzhou Tanci are the titles of two local operas in Suzhou dialect.苏州评话、苏州弹词是曲种称谓。
英文短句/例句
1.Singing in Suzhou Tanci and Ballad Singing without Talking;苏州弹词的唱和只唱不说的“弹词”
2.On Vocal Presentation of the Introductory Song to Du Shiniang;苏州弹词开篇《杜十娘》的唱腔浅析
3.On the Artistic Style of the Introductory Song to Suzhou Tanci Du Shi Niang论苏州弹词开篇《杜十娘》的艺术风格
4.Translator s Style Reflected in Two Versions of Pingtan Libretto;苏州评弹《姑苏水巷》唱词两种译本的译风比较
5.Inheritance and Protection of Suzhou Pingtan under the New Situation新形势下苏州评弹艺术的传承与保护
6.As His Ci Is,So Is He--The artistic style of Su Ci in his works during Huangzhou period;词如其人:从苏轼黄州时期的词看苏词的艺术风格
7.Nitial Exploration of Interesting and Difficult Words in the Wu Dialect: Focusing on Suzhou Dialect;吴语谐音趣难词初探——以苏州话为中心
8.Brief Inditement Discourse on the "Style of One s Own " of Mizhou Ci by Su Shi;苏轼“自是一家”的密州词创作简论
9.The prefiace of The Guidance and Appreciation of Sushi s Representative Work in Huangzhou;《苏轼黄州代表词赋导读与审美》前言
10.The Research of the Comparison Between Arabic′s Macamo and China′s Suzhou Pingtan阿拉伯“玛卡梅”与中国“苏州评弹”比较研究
11.The Differences between Monosyllabic Verbs of Mandarin and the Suzhou Dialect;普通话与苏州方言单音节动词的比较研究
12.Suzhou Dress Adornment Fashion in the Qing Dynasty Described by Bamboo Ci;竹枝词中所描绘的清代苏州地区服饰时尚
13.Investigation of Status Quo and Factors on Middle-aged man′s artery stiffness in suzhou city;苏州地区中年男性动脉弹性现状及影响因素的调查分析
14.While the Long Journey Is Still Far Ahead,Whom Am I to Confide in After Hangover--Rereading Su Shi s Ci Poetry Huanxisha;酒困路长意,蹭蹬向谁摅——重读苏轼徐州作《浣溪沙》词
15.Stereoscopic Reading;立体阅读——读涂普生《苏轼黄州代表词赋导读与审美》随感
16.Zhang Xu was a native of Wujun (present-day Suzhou in Jiangsu Province).张旭，吴郡(今江苏苏州)人，
17.Maps of the Suzhou Dialect《苏州方言地图集》
18.Black and White Suzhou--Random talk on colour culture of civilian residence in ancient city Suzhou;黑白苏州——漫谈苏州古城民居色彩文化
相关短句/例句
introductory song to Suzhou Tanci苏州弹词开篇
3)Suzhou Pingtan苏州评弹
1.Suzhou Pingtan, a combined term for Pinghua and Tanci is a flower in the art circles of Southern Yangtse River.苏州评弹是评话和弹词流传到江南，与以苏州话为代表的吴方言结合的产物。
2.Suzhou Pingtan originated in Suzhou and flowed into Shanghai in the latter half of the 19th century.苏州评弹源于苏州,19世纪末进入上海并于20世纪30、40年代达到辉煌,成为民众最普遍的娱乐方式。
4)yɑngzhou tɑnci扬州弹词
5)A Wonderful Literature Flower of Suzhou-Suzhou Zhu Zhi Ci of the Qing Dynasty清代苏州竹枝词
6)Researching of Su Shi"s Words in Huangzhou苏轼黄州词研究
延伸阅读
苏州弹词苏州弹词中国江苏曲种。起源于苏州，流行于江、浙、上海一带的重要曲种。用苏州方言说唱。与苏州评话合称评弹。明末以来，弹词经过王周士、陈遇乾、毛菖佩、俞秀山、马如飞等几代名家艺人的丰富艺术经验，博采众艺之长，奠定了深厚的艺术基础，产生了多种风格流派，积累了众多的书目，形成了说、噱、弹、唱等艺术手段，发展成综合性的说唱艺术。其说表融叙事与代言为一体，分官白、私白、咕白、表白、衬白、托白等，表现力极强，具有理、味、趣、细、奇的艺术特色，细节生动，曲折含蓄，刻画入微，结构奇巧，引人入胜。苏州弹词以说表为主，讲究语音、语气、语调的变化，形成了不同流派的说功，一般分活（滑）口、方口、火功、阴功、慢口、快口等几大类，各具特色。除说表外，兼重弹唱，唱词为7字句，但可加衬字、垫字，注重平仄格律，按苏州语音押韵，清晰流畅，韵味醇厚。演唱形式分为单档（一人）、双档（二人）及至三档（三人）。传统曲目以长篇较多，有《三笑》、《描金凤》、《白蛇传》、《玉蜻蜓》、《珍珠塔》等50余部，影响较大。1949年后又改编了《青春之歌》、《苦菜花》、等40余部，并新编了《海上英雄》、《白衣血冤》、《多多》、《新琵琶行》等曲目。苏州弹词演出剧照
