山水文,South and North Dynasties
1)South and North Dynasties山水文
1.On the Articles Describing Mountains and Rivers in Wei, Jin,South and North Dynasties;论魏晋南北朝时期的山水文
英文短句/例句
1.The Differences of Scenery Prose Between the Southern and Northern Dynasties;山水清音 南北殊调——论《水经注》与南朝山水文之异
2.ON PECULIAR CONTRIBUTION TOWARDS CHINA S LANDSCAPE LITERATURE MADE BY SHUI JING ZHU (COMMENTARY ON THE WATERWAYS CLASSIC);论《水经注》对中国山水文学的独特贡献
3.The water level at Luoshan Hydrometric Station was 30.03 meters, 1.47 meters lower than the warning water level.螺山水文站水位３０．０３米，低于警戒水位１．４７米。
4.Understanding Landscape Culture of Huizhou Old Residences--Focused on Tangmo and Lingshan;徽州古村落山水文化解读——以唐模、灵山为中心
5.On Landscape and Humanities of Wenshan--A Summary of Rice Growing Culture of Wenshan Zhuang Nationality;山水和人文——文山壮族稻作文化略论
6.Research on Distributed Hydrological Model in Western Tianshan Mountains;天山西部山区分布式水文模型的研究
7.Scenery Prose from Southern Dynasties and Northern Dynastiesare Different--On the Difference between "shuijingzhu" and Scenery Prose from Southern Dynasties;南北朝山水散文的文化异质——以《水经注》和南朝山水书札为例
8.Landscape has been Showed by Works Works has been Propagated by Landscape--The tourist proses of Anshun and tourism山水借文章以显 文章凭山水以传——论安顺旅游散文与旅游
9.Palaeoflood Occurrence in the Late Period of the Longshan Culture in the Middle Reaches of the Jinghe River泾河中游龙山文化晚期特大洪水水文学研究
10.Different views of men of letters on describing mountains and rivers in the Weijin and late Ming dynasties;笔底林泉 古镜照神——从山水散文比较魏晋及晚明文人对山水的观照
11.A Brief Comment on the Mountain--River Prose Represented by Shui Jing Zhu in the North and South Dynasties;南北朝山水散文略论——以《水经注》和南朝山水小品为例
12.Study on Hydrological Effect of Picea Schrenkiana var.tianschanica Forest in the Middle Location of Tianshan Mountain;天山中段天山云杉林森林水文效应研究
13.Wudang Landscape Spectacles in Ancient Wudang Mountains Travelogues;古代武当山游记文学中的武当山水奇观
14.Liu Zong-yuan s Spectacular Travel Notes--Broad View and Far-reaching Mood of Liu Zong-yuan s Landscape Travel Notes;柳文如山——柳宗元山水游记的“旷如”与“奥如”说
15.Regional Distribution Regularity of Hydrological Model Parameter in Tianshan Mountains Watersheds天山山区水文模型参数的区域分布规律
16.In the Song Dynasty, the poet Fan Chengda once described the scenic beauty of the region in glowing terms as follows:宋朝诗人范成大曾著文，推崇桂林山水：
17.An Analysis of Variations of Hydrologic and Meteorologic Elements after Kangsan Polder Was Reclaimed康山围垦后水文、气象要素变化的分析
18.Hydrogeological study cf Sanshan island gold mine in development period三山岛金矿开拓时期的水文地质研究
相关短句/例句
mountain zone hydrology山区水文
1.The more attention was paid to works ofmountain zone hydrology in arid inland river basin in the past; especially on analysis of water amount and runoff come from mountain areas.过去,干旱地区内陆河流域水文研究主要偏重于山区水文,注重山区来水及径流分析,而很少涉及灌区问题和生态问题,对绿洲水文和荒漠水文的研究十分缺乏。
3)Landscape culture山水文化
1.Based on the philosophical view of "harmonizing relationship between nature and man",ancient Chinese people thought there was no boundary between man and nature and the harmonization of nature and man is the greatest achievement,which caused the production and prosperity of landscape culture.古代中国人基于"天人合一"的哲学观,产生了人与自然万物可以融为一体,内在性灵与外界自然之间无绝对界限的意识,并且把人与自然合一当作一种最高的境界来追求,从而促使山水文化的产生和繁荣。
2.This paper, through the thorough analysis of landscape culture, means for garden architecture as well as artistic conception, expounds the theoretical characteristics of chinese classical garden architecture and its continuity and application in modern city planning and building design.通过对中国古典园林的山水文化、造园手法以及对意境的追求分析 ,阐述了中国古典园林造园理论特征及其在现代城市规划和建筑设计中的延续和应用 。
3.The long-standing Three Gorges culture is plentiful and profound,mainly including the following aspects: landscape culture,prehistoric culture,race culture,people s livelihood culture,military culture,religious culture,celebrity culture,folk culture,project culture and emigration culture.研究三峡文化,必须先认识和把握其内涵,源远流长的三峡文化,其内涵博大精深,概括起来,主要包括几个方面:山水文化、史前文化、民族文化、民生文化、军事文化、宗教文化、名人文化、民间文化、工程文化和移民文化。
4)alpine hydrology高山水文
5)scenic poem山水诗文
1.The natural aesthetics in Su Shi sscenic poems can be concluded as follows: everything can be seen, appreciated, and enjoyed; life is integrated into scenery and poetry inhabits on earth; moral is embodied in matters or events.苏轼的山水诗文蕴涵的自然审美观可概括为:凡物皆可观,苟有可观,皆有可乐;将生命融入山水,诗意地栖居在大地上;寓意于物而不留意于物。
6)landscape literature山水文学
1.The peculiar contribution towards China slandscape literature made by Shui Jing Zhu embodies the following aspects: First,Li Daoyuan all-sidedly cleared and inherited aesthetic accomplishments as to mountains and waters made by predecessors,affirming that landscape aesthetics was human practical products in theory.《水经注》对中国山水文学的独特贡献主要体现在:第一,郦道元全面清理并继承了前人有关山水审美的成果,在理论上肯定了山水审美是人类实践的产物;第二,郦道元不是孤立地描写山水,而是将其放在大的自然、地理环境中加以表现,在自然景观中往往有人文景观,人文景观与自然景观紧密结合;第三,《水经注》记山水简练传神,风格清新,深得山水之神韵,直接导启了柳宗元和徐霞客的山水游记。
延伸阅读
山地水文指山地的水文现象和变化规律。即山区河流的水源补给、径流形成过程、水量平衡及山区水资源分布变化的规律。山地降水较平原丰富，山区的地表坡度和切割程度也较平原大，故水系发育的条件山区比平原充分。在相邻地区,山区的径流系数大于平原。例如,中国北纬30°附近，四川盆地的径流系数仅30％，长江中下游平原为50％，鄂西山地为70％，川西山地则高达80％。山区的河网密度也大于平原地区，如中国河北平原河网密度在0.1公里/平方公里以下，太行山区则超过0.3公里/平方公里。山区河流的补给类型随高度不同。以中国川西、滇北山地河流为例，冰川覆盖的高山地区，冰雪融水比重很大；低山区则以雨水补给为主，地下水补给次之；中山区，则融水、雨水及地下水各占一定的比重。山地径流包括坡面流、表层流及地下径流，它们的形成可概括为产流和汇流两个过程。当降雨或融雪量满足坡地蓄渗损失，或其强度超过土壤的下渗能力时，产生坡面流；在土壤、碎屑岩层厚度不大的坡地上，垂直下渗的水遇到局部阻水层，一部分水在土壤孔隙中转呈水平方向流动，而产生表层流。在透水性好，土层厚的坡地上，下渗的水能达到潜水面，形成地下径流。坡面流呈细沟流或片状流，沿地表以较快的速度漫流入河网；表层流通过土壤岩石中的孔隙、空洞等通道汇入河网；地下径流沿水力坡度，或在沟谷切割处以泉水方式汇入河流。前两者汇流时间较短，地下径流则在雨停后的一段时间内还陆续渗入河流，形成河流的基流。山区径流量的分布随高程而异。在流域位置、形状和地质构造相同的情况下，年平均径流量与流域平均高程之间有较好的相关。在高度不大的山地为接近直线的正相关，在高差较大的山地则为双曲线相关，曲线的拐点出现在比较高的地方，拐点以上径流变化梯度随高度增加而降低，到一定高度处变成负梯度。通过相关推求平均径流量的方法,在山区水资源和水量平衡研究中,已得到广泛的应用。山地水文是区域水文研究的重要组成部分。山地径流形成和变化的物理机制，是水文计算和水文预报研究的基础;山区水量平衡和水资源分布及其变化的研究,都为山区水资源的开发利用提供了科学的依据。
