中国戏剧史,Chinese drama history
1)Chinese drama history中国戏剧史
1.Chinese drama history is not the same as Chinese Xiqu opera history, and the formation of the former is not the same as the formation of the latter.中国戏剧史和中国戏曲史不是一个概念,中国戏剧史的正式形成和戏曲史的正式形成同样不是一个概念,前者只要符合一般意义上的戏剧本质即可,汉代百戏"东海黄公"即可作为一个鲜明的标志,因为它已符合了扮演故事的最基本要求。
英文短句/例句
1.An Analysis of the Research Ways in The History of Chinese Dramas Write by Xu Mu-yun;试析徐慕云《中国戏剧史》的研究方法
2.The Term "Xichang" (Theatre):From India to China Historical Materials ofBuddhist Plays Contained in Chinese Translations of Buddhist Scriptures;“戏场”:从印度到中国——兼说汉译佛经中的梵剧史料
3."The theater world produced masterpieces to drama literature in the form of "zaju"and "Kunqu". "中国戏曲史上出现过许多杂剧和昆曲的杰作。
4.Are you interested in Chinese theater?你对中国戏剧感兴趣吗？
5.traditional Chinese theatre course中国传统戏剧艺术课程
6.On the Super Historic Significance in Cao Yu s Drama;试论曹禺剧作的超历史性——兼论中国现代戏剧史两个阶段之形成原因
7.Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
8.Initial Researches on the Comparison between Chinese Drama and Western Opera;戏中曲与歌中剧——中国戏曲与西方歌剧比较初探
9.A legendary figure in Chinese history, Guan Yu is described as a hero in stories and dramas of different ages.在中国历史上，关羽属传奇人物，是历代话本和戏剧的描写对象。
10.“Dramatizing”, “Image” and “Voice and Emotions”--Historical Reconstruction of Syllable Theory of New Poem in China;“戏剧化”、“意象化”与“声情化”——中国新诗音节理论的历史重构
11.On the Historical Significance of WANG Guo-wei s Statement that there were Tragedies in Yuan Dynasty drama;王国维关于元代戏曲“有悲剧在其中”说的历史意义
12."Theater in China is divided, not into tragedy, and comedy, but into military and civil plays."中国传统戏剧不是分为悲剧和喜剧，而是分为武戏和文戏。
13.Imagination of Western Drama Classics in Today s China;西方戏剧经典的东方想象——我看近年来中国戏剧舞台上的西方戏剧
14.Yu Shangyuan s Drama Career and His Contribution to Modern Chinese Drama;终身做戏剧的仆人——余上沅的戏剧道路及其对中国现代戏剧的贡献
15.International Theatre Institute国际戏剧学会(戏剧学会)
16.Historical Process of the Creation of Local Northeastern Operas(Ⅱ)创建东北本土戏曲剧种的历史进程(中)
17.He is a member of Chinese Dramatists Association and Shanghai Dramatists Association.现为中国戏剧家协会会员、上海戏剧家协会会员。
18.On the Formation of the Objective and Realistic Form of Modern Chinese Theatre;论中国现代戏剧客观写实戏剧形态的形成
相关短句/例句
the history of Chinese ancient drama中国古代戏剧史
1.The prohibition and destruction of certain dramas, as a particular revelation of cultural prohibition and destruction, reveals the complexity of cultural policies in different historical periods, and exerts a great influence uponthe history of Chinese ancient dramas.禁毁戏剧作为禁毁文化的一种特定表现，显示了不同时代文化政策的复杂性，对中国古代戏剧史产生了很大的影响。
3)The Study on The History of Chinese Operas中国戏剧史研究
4)Chinese drama中国戏剧
1.There is an interactive relationship between Bertolt Brecht andChinese drama.布莱希特与中国戏剧是一种"双向互动"的关系。
2.Through a comparison betweenChinese drama and European drama as a continuation of Greek drama, this paper attempts to explore the distintive differences and characteristics in the process of their formation.中国戏剧和以古希腊为代表的西方戏剧在形成过程中有着鲜明的差异和特征。
3.Allegory, language distinction, artistic atmosphere are the three core categories ofChinese drama.寓言、本色、意境是中国戏剧的三大核心范畴。
5)Chinese operas中国戏剧
1.Chinese operas are an important "cultural symbol" in the history of Chinese art development,and have been a leading role in the main stream.中国戏剧是中国艺术发展史上的一个重要的“文化符号”,占领主流地位。
2.Studies of traditionalChinese operas have achieved a lot in the early twentieth century, so they lay a solid foundation for the studies in the late twentieth century, and even for today.1908年当王国维率先开始其中国戏剧的研究时,可谓是孤家寡人;后来的新文化运动、整理国故等事件的发生,均有助于研究风气的形成。
6)Chinese Opera Festival中国戏剧节
延伸阅读
《中国古代建筑史》《中国古代建筑史》关于中国古代建筑历史研究的著作。主编刘敦桢。1965年书稿完成，1980年由建筑工程出版社出版。该书系统论述了中国古代建筑各历史阶段的发展和成就，旁征博引。全书共64万字，图片487幅。
